This week Marian McPartland died at
the age of 95. Until two years ago she had hosted Piano Jazz, the longest running cultural show –more than thirty
years—on National Public Radio, and had interviewed and performed with all the
major jazz musicians of the time. Moving from her native Great Britain with her
American soldier (and musician) husband to the United States, she eventually
moved to NYC where she sought out her idol, bebop pianist Mary Lou Williams.
Her biographer Paul de Barros wrote that McPartland, instead of
competitiveness, had a ‘we’re in this together’ attitude, and she brought this
camaraderie to her radio program. The improvised conversations with guests, she
said, were like jazz itself, “spontaneous and free-flowing.” She spoke of how concerts communicated this
freedom (in part, I suppose, by modeling it, being with it) to audiences.
In addition to improvisation, McPartland’s
Piano Jazz and contemporary psychoanalysis
shared many things. For example, McPartland made her show about her guests, not
just about herself. She was open hearted and inclusive, admiring and accepting.
Quoting from NPR, “[S]he reminded
listeners every week that we’re all in this together.” I have to smile to
myself when I remember McPartland’s throaty voice, but today I smile thinking
of how jazz and improve itself (think Phil Ringstrom) can so inform an analytic
attitude. I smile to myself when I imagine sharing with McPartland the camaraderie
of how we both feel about our respective career paths. She said, “You have to love what you do.”
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